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Ides of March

Since today is the ides of March, I thought I would read Shakespeare’s Julius Caesar this morning. There are many things I could comment on about Julius Caesar from the opening humor of the cobbler, to the theme of Brutus as an honorable man (Brutus’s honor being what motivated him to betray Caesar, the pivot on which Mark Antony turned the crowd with his rousing speech, and the matter of the plays concluding moments), but as it is the ides of March, what better topic than foreshadowing, such as is done with the soothsayer warning Caesar of the ides of March.

Shakespeare’s plays are full of subtle hints which tell the audience what is going to be before it is, from the less than pleasing appearances of some of Shakespeare’s villains to the hope or doom flavoring the speeches of men leading troops into battle, but Julius Caesar seems particularly rich with foreshadowing as the soothsayer, oddities in the night, augurers, Artemidorus, and Calpurnia’s dream all warn Caesar away from the Capitol.

Shakespeare is not alone in the use of foreshadowing, with good reason. Foreshadowing can be used in so many good ways. If what is being foreshadowed is known by the audience, it creates an unusual combination of anticipation and remembrance; while if it is unknown, it whets the reader’s curiosity and heightens suspense. On a first reading, it provides direction and gives the reader room to ponder what might happen. On subsequent readings, it can reward the reader with "Aha, I didn’t notice that, but it was there all along" moments.

Foreshadowing, and its cousin, misdirection, can be misused. Too much pressure to look into the future makes the reader discontent with where they are in the telling. Too much anticipation can create a sense of disappointment if the anticipation is not fully realized. Too much reminder of what is going to happen can be downright annoying, and too many hints can spoil what should be surprises.

So, in honor of Caesar’s soothsayer, would you share one of your favorite instances of foreshadowing from something you’ve read (or watched) or an instance in which it has driven you crazy?

Comments

Comment from Mrs Young on March 15, 2011 at 5:13 PM CDT

Sometimes I want obvious foreshadowing in real life... Wouldn't that be fun once in a while?!

Comment from Matt on March 16, 2011 at 7:28 AM CDT

A large portion of my fiction reading is in short stories. My first inclination was to say that usually they are too short for much foreshadowing. But then I thought of an example: the first story in Very Good, Jeeves by Wodehouse involves a rather humorous conflict with a large, angry swan, which was just before hinted at. Also, I think there are many indications in Crime & Punishment that Rodion will repent of his crime toward God (not to mention turn himself in), only we must wait till the epilogue to see this come to pass. So perhaps a combination there of excruciating (ha?) misdirection but then legitimate foreshadowing.

Comment from Matt on March 16, 2011 at 7:36 AM CDT

I should mention also that mystery/detective stories often use misdirection, although some do employ foreshadowing as well for the clever or lucky reader who catches it. Most of my mystery story reading comes in Chesterton. Classic misdirection in such a story: you are quite sure the irritable young man lopped off the old lady's head quite until the end, but then you should have seen it was otherwise all along.

Comment from Jennifer Ekstrand on March 16, 2011 at 6:08 PM CDT

Mrs. Young, Foreshadowing in real life would be fun sometimes, but it would make bad foreshadowing worse... "argh I'm sick of hearing about my destiny"... I think it would be hard to distinguish foreshadowing from everything else going on in life. Checkhov's gun (the idea that if you have a gun on stage it should be fired... or at least someone should think about firing it) is hard to apply when we see so many unimportant details.

Comment from Jennifer Ekstrand on March 16, 2011 at 6:15 PM CDT

Matt, A humorous conflict with a large, angry swan sounds very promising. :-)

I think mystery/detective stories have some of the hardest work at foreshadowing. In my ideal world, I want to know what happened one moment before the "detective" tells everyone else... whether on stage or on the page.

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